A Time For Drunken Horses and The Politics of Violence, or the Philosophy of 'Anti-Education'
Bahman Ghobadi, one of the instrumental protagonists of the Iranian New Wave, seeks to foreground the violent destruction stimulated by...
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What Does Satyajit Ray’s Pather Panchali tell us about Visual Poetry in Cinema?
Poetics, just like poetry, is an all-encompassing word. ‘Poetry’ can be everything, and ‘poetics’ can be ‘of everything’. Aristotle, as...
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Changing the Dynamics of ‘War Cinema’ using ‘Conflict’ as the Lens
have a stereotyped expectation around them which most of the filmmakers only manipulate with creative liberty but never muster the...
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The Boy in Striped Pyjamas - Beyond the Fence
In the mouth of war, humanity decays. It's only the living who know of their motherland, the dead only survives in the soils of history....
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The Privilege of Love, Rituparno Ghosh’s Chitrangada
In the epic tale of Mahabharata, Chitrangada was a warrior-princess who was brought up by her father, the king of Manipura, as a man....
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