A Time For Drunken Horses and The Politics of Violence, or the Philosophy of 'Anti-Education'
Bahman Ghobadi, one of the instrumental protagonists of the Iranian New Wave, seeks to foreground the violent destruction stimulated by...
top of page
- Apr 26, 2022
What Does Satyajit Ray’s Pather Panchali tell us about Visual Poetry in Cinema?
Poetics, just like poetry, is an all-encompassing word. ‘Poetry’ can be everything, and ‘poetics’ can be ‘of everything’. Aristotle, as...
- Mar 26, 2022
Changing the Dynamics of ‘War Cinema’ using ‘Conflict’ as the Lens
have a stereotyped expectation around them which most of the filmmakers only manipulate with creative liberty but never muster the...
- Mar 26, 2022
The Boy in Striped Pyjamas - Beyond the Fence
In the mouth of war, humanity decays. It's only the living who know of their motherland, the dead only survives in the soils of history....
- Feb 27, 2022
The Privilege of Love, Rituparno Ghosh’s Chitrangada
In the epic tale of Mahabharata, Chitrangada was a warrior-princess who was brought up by her father, the king of Manipura, as a man....
- Feb 13, 2022
Portrait of a Lady on Fire, An 18th Century Art in Motion
Coastal Brittany, France, 1770. An oceanfront castle. A secret painting. And two hearts that stretch and grow to envelop the magic of...
bottom of page