The Railway Men- The Saga Of Some People Not Losing Humanity In The Face Of Disaster
- Dec 13, 2023
Analyzing Michael Haneke's The Piano Teacher through the lens of psychoanalysis
- Jul 19, 2023
Make it like Wes Anderson
- Jul 2, 2023
Women Talking: Rethinking Our Discourse on Sexual Violence
- May 7, 2023
Delving Deeper: A Call for Nuanced Film Criticism
- Apr 25, 2023
The Metaphor of The Banshees of Inisherin: Exploring the Irish History Through Fractured Friendship
- Mar 17, 2023
The Language of Film Adaptation: Anna Karenina
- Mar 13, 2023
Everything Everywhere All At Once subverts the notions of reality and identity
- Dec 18, 2022
A Time For Drunken Horses and The Politics of Violence, or the Philosophy of 'Anti-Education'
- Apr 26, 2022
What Does Satyajit Ray’s Pather Panchali tell us about Visual Poetry in Cinema?
- Mar 26, 2022
Changing the Dynamics of ‘War Cinema’ using ‘Conflict’ as the Lens
- Mar 26, 2022
The Boy in Striped Pyjamas - Beyond the Fence
- Feb 27, 2022
The Privilege of Love, Rituparno Ghosh’s Chitrangada
- Feb 13, 2022
Portrait of a Lady on Fire, An 18th Century Art in Motion