Semal Petals and the Sufi Skies of Delhi - Poems by Paarmita Vedi
- poemsindia
- 6 days ago
- 5 min read

Semal Petals and the Sufi Skies of Delhi
The yellow of the postcards you sent me
Is rusting now and winter is already over.
The words of love on it taste tangy.
In the morning, I saw a floating spring cloud,
Casting a bluish shadow over my clothesline.
And I ask you if you know
You contain the blue skies in you,
Because I am a sufi saint looking above in trance.
Will you braid my hair, like my lost mother,
when I’d fall back on this brown earth,
dizzy and full?
Crying over years and years of meditation
Because god was always dead.
I unwrap years of memories from my skin.
Like how once at 4 a.m., we peeled our souls
And offered each other our raw hearts.
Like how you lovingly slipped my cotton kurta
With red ajrak prints, off my shoulders and back.
Six springs have passed.
You ask me if i don't want to be held
In your arms?
I look at the mole on your left index finger.
And on some forgotten and abandoned old tomb,
in an unknown part of Delhi,
A Semal flower falls sadly.
I am sorry.
I don’t want to go home tonight.
Semal: Silk Cotton Tree
Azrak: a form of textile block-printing
Yellows and Amaltas Flowers
when i think of love, i think of
mustard seeds drying in my courtyard
and i ask you,
can the sun ever be too much?
i’ve seen turmeric stains under ma’s nails,
days and weeks. nurturing faith, faith.
she liked red. but the flush of red
nail paint on her nails was always dirty.
dirty cinnamon.
she didn't mind.
when i was four, i asked my Father once,
can the sun hurt us?
he opened a book for me
to explain the evidence of yes.
sun and orbits and bright yellow.
but ma showed me honeybees.
and sunflowers.
faith is but a dying light. evening. evening.
i get why ma loves sitting in the sun
but can’t she see,
it’s burning the amaltas
that she planted in our garden last winter.
I Envy the Love between the Sun and Marigolds
the sacred bastard-teak in front of our porch
(oh, my porch)
hides opal sunlight deep into its fiery pods.
i hate this public display of affection,
their bright orange-red passion.
alone, i water the gaillardia. my june blooms
and baby pink roses.
won't water them today. i mutter.
i bet the sun is tired of this love.
i find it pretentious.
can i throw it away tangentially
into some outlandish plasmic void?
it fashionably tiptoes to the top of my head.
golden effulgence transfuses into the milky white.
like our morning tea.
deliberate poking of my pain, i know.
i leave my bed. wondering if you left yours.
i hate having this milk tea without you.
and the coffee cheesecake with nut toppings.
the sun tests my patience. belittles my heartache.
i tie down curses around french marigolds' stems.
so it evaporates into our native city's skies.
a city shoved on a sandy bank. three rivers confluence.
the sun swims west and dips down.
i hope my curses evaporate and rain to ruin
the flame of the forest shadowing my porch.
before the sun could say a goodbye.
or maybe i should get used to
a new morning tea. without milk.
without your cheesecakes and you.
When you're smothering someone with
your twisted desire to be saved by them
How do you measure the gap
Between happiness and indifference and fragility?
By munching on ice cubes and swallowing tiny icicles.
The gap between fate and future and stupidity?
Between certainty and uncertainty?
By trying to blindly cross the busy roads
When the frozen night defreezes and spills
in the glow of the green.
And two red trucks approach fast towards you.
Similar to swallowing two whole red cherries
Without chewing and waiting to be choked.
But you see a boy riding his bluish-green bicycle
And you think of his oxford-blue shirt,
Rippled fabric soaked in his cold sweat
sticking on his chest
And his thick, wavy hair whispering to the wind.
But the world melts into sludge on charcoal roads.
What an ugly sight blocking the grand metaphor
which you force him to be for love and life.
Avoiding the trucks, you remain frozen
In some second-storeyed grocery store,
With a sunflower shop hidden down in its basement.
It's a random night and he's picking the grapes.
Fresh and frozen, touched by his hands,
Taken off the fifth shelf in the fruit aisle.
You wish for his warm fingers to stick down
Into the grotesque darkness of your throat,
Triggering your gag reflex,
Releasing the glacial grief choking your windpipe.
What an ugly sight.
You wonder if that boy would keep a watch
When very secretly at 3 am in the night,
Illuminated by the faint glow of the refrigerator,
You'd try to swallow those grocery-picked grapes.
But you also wonder,
Why should he?
Snacking on Love and Having Some Tea
The first time I entered the kitchen space
Was to make my Ma some tea.
This is love.
Come, I'll make you some tea.
Pouring my loneliness into cups,
Offering you a slice of citrus blues years later.
In one life, I'm in the kitchen crying
About a spider I couldn't save from dying
On a hot non-stick pan
In the next life, I'm worshipping gossamer cobwebs
between my faithless fingers.
Do you protect the things you worship?
I protect my grief as I'm scared of letting it loose.
I carry my grief like an astronaut carrying oxygen.
Gravity is the collapsing of things into themselves.
Let your September sorrows sink into my heart.
You see, my sadness is tethered to yours.
It will attract unless we are one whole.
You stretch your arm, and I fall back to earth.
There's life. And there's you.
There's science and then there's faith.
You know what I mean when I ask you to touch me.
When you were six years far from me,
I was an atheist.
My faith is a revered snowflake, a beautiful mole
Resting between the thumb and index finger
Of your left hand.
The hand you use to untie my hair,
Allowing me to melt into the peace of your arms,
Taking up your spaces, your faith, your desires.
The hand you use to pour the milk in
When you serve me a cup of tea.
I see you smile and breathe,
returning from space. On the earth.
In our kitchen.
And I swear at that moment.
I hear and taste God.
About the Poet:
Paarmita Vedi is a PhD scholar in English Literature at the University of Delhi. She writes poetry to make sense of the world, and sometimes to escape it. Her work, rooted in a deep love for language, has appeared in Eunoia Review, The Literary Yard, The Alipore Post, and a few other lovely corners of the internet.